COOKE S7/I FF

Superb optical and mechanical performance in a comprehensive line-up. The Cooke Anamophics offer superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view. The set of T2.3 Cooke Anamorphic/i’s includes: Cooke Anamorphic/i 32mm T2.3 cf:22″ Cooke Anamorphic/i 50mm T2.3 cf:22″ Cooke Anamorphic/i […]

 March 27, 2023

Arri Signature Primes

ARRI Signature Prime lenses are widely regarded as some of the highest quality cine lenses available in the film industry. These lenses are known for their exceptional optical performance, excellent color rendition, and precise focus control. Many cinematographers and filmmakers praise the ARRI Signature Prime lenses for their ability to create a distinct visual aesthetic […]

 March 27, 2023

Sony FX3 – 4K

Max Frame Rate: 120fps in 4K 4:2:2 / 240fps in 1408 x 804 Max Resolution: 3.8K UHD 3840×2160 internal, 4K – 4264 x 2408 external recorder Codecs: XAVC-HS, XAVC-S, XAVC-IS, Raw output to external recorder Sensor Formats: Full Frame Spherical, Super 35 Spherical Internal ND: None Base ISO: Dual Base ISO 640 & 12,800 Media: […]

 March 26, 2023

RED KOMODO – 6K

Max Frame Rate: 40fps at 6K / 120fps at 2K Max Resolution: 6K 6144×3240 Codecs: Redcode HQ, MQ & LQ. Prores 422 HQ, 422 Sensor Formats: Super 35 Spherical, Super 35 Anamorphic Internal ND: None Base ISO: 800 Media: C-fast Cards Anamorphic Desqueeze Modes: 1.25x, 1.3x, 1.5x, 1.6x, 1.8x, 2.0x Compatible Lens Mounts: RF, PL, […]

 March 26, 2023

RED RAPTOR 8K VV

Max Frame Rate: 120fps at 8K / 600fps at 2K Max Resolution: 8K 8192 × 4320 Codecs: Redcode HQ, MQ & LQ. Prores 4444 XQ, 4444, 422 HQ, 422 Sensor Formats: Full Frame Spherical, Full Frame Anamorphic, 35mm Spherical, 35mm Anamorphic Internal ND: None Base ISO: 800 Media: CF Express Type B Anamorphic Desqueeze Modes: […]

 March 26, 2023

RED MONSTRO

The RED Monstro 8K Vista Vision delivers unrivalled performance with its impressive specs. With up to 17x more resolution than HD and over 4x more resolution than 4K, its sensors rival the beauty offered by film. The RED MONSTRO can take advantage of full-frame 35mm lenses and despite its compact size, it can be driven […]

 March 26, 2023

Arri Alexa Mini LF – 4.5K

Max Frame Rate: 40fps in 4.5K / 100fps in 2.8K 16:9 Max Resolution: 4.5K – 4448×3096 Codecs: ARRIRAW, ProRes 4444 XQ, 4444, 442 HQ Sensor Formats: Full Frame Spherical, Full Frame Anamorphic, Super 35 Spherical, Super 35 Anamorphic Internal ND: 0.6, 1.2, 1.8 Base ISO: 800 Media: Codex Compact Drives Anamorphic Desqueeze Modes: 1.25x, 1.3x, […]

 March 26, 2023

Arri Alexa Mini – 3.4K

Max Frame Rate: 60fps in 3.4K / 200fps in 2K Max Resolution: 3.4K – 3424×2202 Codecs: ARRIRAW, Prores 4444 XQ, 4444, 442 HQ Sensor Formats: Super 35 Spherical, Super 35 Anamorphic, Super 16 Internal ND: 0.6, 1.2, 2.1 Base ISO: 800 Media: C-Fast Cards Anamorphic Desqueeze Modes: 1.3x, 2.0x Compatible Lens Mounts: PL, LPL, EF […]

 March 26, 2023
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